Julian Stubbe
pp. 30 – 46, download
(https://doi.org/10.55612/s-5002-030-002)
Abstract
The paper characterizes how material practice becomes a form of critique. Based on a comparison of two presumably distant objects, it delineates how engagement with materiality opposes established forms of knowledge production and representation. One object is a robotic hand, which is made of silicon, and the other object is a media art installation that transforms signals of the Earth’s magnetic field into a laser projection. Both objects are not part of a political paradigm; rather, they oppose the state of affairs in a technical domain and evoke thoughts of how technology could be designed differently. The paper delineates three elements of critical material practice: embodiment and imagination instead of linear progress, performance instead of formalized representation, and allegories instead of symbols. These elements stress that material engagement is not only a matter of learning and creating new forms; it also challenges established modes of technoscientific knowledge production and representation.
Keywords: critical making, reflexivity, material practice, media art, robotics.